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Yew-trees—grown till they form high walls—are cut and shaped in prim and perfect order, some like the walls of ancient Troy, some like steps of stairs. Little doors are opened through them, and passing in and out one walks on for a mile almost, until one loses one's way and grows puzzled how to extricate one's self from so charming a maze.,"I hope she isn't in love with you," she says, slowly.,"Alas, alas!" replied Scarface, "Pity me. I came here to ask you for that girl. I want to marry her. I asked her and she was glad, but she says that she belongs to you, and that you told her not to marry.","It doesn't matter in the least what any one thinks on this subject," says Nicholas, with a slight frown, "I shall esteem it a very great honor if you will call me by my Christian name. And besides, Mona, I want you to try to care for me,—to love me, as I am your brother.","Yes," said Broken Bow.,"Why, you never even saw him," says Mona, opening her eyes.,"Yes; that is Sir Nicholas's Doatie Darling," returns Mona, with a light laugh. And then Nolly leads her away, and, feeling more confident with him, she is once again dancing as gayly as the best.,"Well, do not preach such doctrine to Geoffrey," she says, with repentance mixed with pathos.,Geoffrey coming to the farm somewhat early in the evening, Mona takes him round to the yard, where two dogs, hitherto unseen by Geoffrey, lie chained. They are two splendid bloodhounds, that, as she approaches, rise to their feet, and, lifting their massive heads, throw out into the night-air a deep hollow bay that bespeaks welcome.,"Come with me," says Mona to Rodney; and with an air of settled determination, and a hard look on her usually mobile lips, she moves deliberately towards the hawthorn-bush, that is about a quarter of a mile distant.,"I won't, then. Sure you can live alone with yourself for one minute," returns she, in very fine Irish; and, with a parting smile, sweet as nectar and far more dangerous, she goes.,Her eyes are large and blue, with a shade of green in them; her lips are soft and mobile; her whole expression is debonnaire, yet full of tenderness. She is brightness itself; each inward thought, be it of grief or gladness, makes itself outwardly known in the constant changes of her face. Her hair is cut above her forehead, and is quite golden, yet perhaps it is a degree darker than the ordinary hair we hear described as yellow. To me, to think of Dorothy Darling's head is always to remind myself of that line in Milton's "Comus," where he speaks of.